Bobby and the midnites book of rules
Book of Rules - Bobby & the Midnites, Bob Weir | Song Info | AllMusicIsn't it strange how princesses and kings Can clown their capers in sawdust rings, just like Poor people like you and me Will be builders for eternity Each is given a bag of tools Shapeless lives and a book of rules. Each must make his life as flowing ink Tumbling black on a stepping stone, just like Poor people like you and me Will be builders for eternity Each is given a bag of tools Shapeless lives and a book of rules. And I say small people like you and me Will be builders for eternity Each is given a bag of tools Shapeless lives and a book of rules. Look where the rain is falling from the sky I know the sun will be only missing for a while And I say small people like you and me Will be builders for eternity Each is given a bag of tools Shapeless lives and a book of rules. Pow wa pow pow, pow wa pa pa pow pow Wa pa pa pow pow, wa pow pa pow pow pow Pow wa pow pow, pow wa pa pa pow pow. Jump to.
Book Of Rules - Bob Weir and Ratdog
Bobby and the Midnites
However, in the source list the seeder shows 3 or 4 generations. We hid my Nakamichi under a pile of clothes inside the cabinet that held the amps. I missed some songs at the tape flip in the first show and the encore of the second show because of that. There are a couple other glitches I did the best I could with what I had to minimize. The higlight to me was Alphonso Johnson's solo in "Bahama Mama". He had a keyboard at his feet so he was playing a duet with himself. Use caution, his playing here is not for the inferior sound system.
Advanced Search Search Tips. This performance was recorded during a Montreux Jazz Festival appearance. Despite a few moments of true inspiration, for the most part the set is rather lackluster -- possibly due in part to the largely non-responsive and non-Deadhead audience. Even though four of the five members of the band are post-bop jazz heavies, Weir's relatively compact pop compositions don't seem to challenge or inspire in the same way that Jerry Garcia's solo outings did. By contrast, Garcia's could often be both simultaneously adept and musically fulfilling. Tracks such as "Festival," "Easy to Slip," and "Salt Lake City" stick fairly closely to their studio counterparts with very little in the way of improvisation taking place.
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The band was Weir's main side project during the first half of the s. They released two albums, but were better known for their live concerts than for their work in the recording studio. With a rhythm section that included jazz veterans Billy Cobham and, for a time, Alphonso Johnson , Bobby and the Midnites played rock music that was influenced by jazz-rock fusion. The other was keyboardist and singer Brent Mydland , who in the interim had joined the Grateful Dead. Matthew Kelly was another "Midnite" who had already played in a band with Weir — Kingfish , which Kelly and Dave Torbert had founded in , and which Weir had played in full-time from to