The great war and modern memory pdf
The Long Shadow: The Great War and the Twentieth Century - HistoryExtraThis ambitious project — which distinguishes him from his many rivals in the same field — aims not to describe the course of the war, its battles, strategy and personalities, but to examine its effects across the turbulent 20th century that passed after the guns stopped firing in the dank November of It is this long view that Reynolds strives to emulate by looking in depth at the very varied subsequent histories of the countries that fought the war. Sometimes, indeed, he becomes so involved in these stories that he forgets that his brief is to connect such histories to the war, and wanders off on lengthy by-ways and digressions — for instance, on Irish politics in the s — which, while often fascinating and informative in themselves, have little obvious relevance to the events of Indeed, anyone seeking a potted history of the victors and vanquished of the war — Britain, Ireland, the United States, Germany, Italy and Russia — could do a lot worse than make this book their first point of reference. His interest in Ireland, for instance, makes that tiny island loom too large relative to its global importance.
A Literate, Literary, and Illuminating Account of the Great War (2000)
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That her endeavour is indeed fully warranted is demonstrated by the fact that when, for example, the Russian company and its companion organizations visited the United States various critics stressed their belief that its productions 'had nothing new to teach Broadway. It is about 'the British experience on the Western Front from to and some of the literary means by which it has been remembered, conventionalized, and mythologized. For instance, in the chapter called'Adversary Proceedings,' concerned with the sense of the 'enemy' and the contrast in that regard between fighting men and men behind the lines and people at home, he deals at some length with Siegfried Sassoon, a daring combat officer who wrote fierce anti-war poems during the War and, after it, returned to the subject in both fiction and autobiography. Likewise, the chapter on 'Myth, Ritual and Romance' concludes with a discussion of David Jones; the chapter on 'The Theatre ofWar' gathers in the 'caricature scenes of Robert Graves' and makes a brilliant and apt comparison with Ben Jonson Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide. Forged from a partnership between a university press and a library, Project MUSE is a trusted part of the academic and scholarly community it serves. Built on the Johns Hopkins University Campus.
The Great War and modern memory CHAPTER 4 Myth, Ritual, and Romance page ; CHAPTER 5 Oh What a Literary Warpage ; CHAPTER 6 Theater of .
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University of Toronto Quarterly
Certainly a storyteller" Findley One is historical: we are interested in what writers can reveal about the lived experience of a particular war. The poems, novels and short stories written out of the experience of war are historical documents in their own right. They can be read as surviving fragments of the past, offering insights into what people were feeling and thinking at the time. When we read the literature of the past we not only gain an access to that historical past but we gain it through a particular in this case, literary mode of access. Furthermore, each literary mode, be it poem, novel or short story, frames in its own distinct way our thinking about certain past events.