Narnia books in order written
The Narnian Order of Things - Official Site | iatt-ykp.orgWhy are there multiple orders? Answers below…. Sometime after the death of C. Lewis, British editions of the books began appearing that were numbered according to the order the stories take place:. For many years, both orders were in print. American editions used publication order while British editions were numbered chronologically.
NARNIA READING ORDERS: Quick Explanation (Spoiler-Free)
In What Order Should the Narnia Books Be Read?
An alternative reading order based solely on the internal chronology of the novels with the exception of The Horse and His Boy which takes place during the time frame of the final few pages of The Lion, the Witch, and the Wardrobe. Note that this reading order only dates from , more than 30 years after C. Lewis died. See the preferred read… More. Book 1. The Magician's Nephew by C.
This is the original reading order and the original publication order for the series. See also the alternative Chronological Reading Order. Book 1. The Lion, the Witch and the Wardrobe by C. There are a thousand stories in the land of Narni… More. Want to Read. Shelving menu.
One of the great schisms of our time goes hardly noticed by the press. Lewis fanatics like me. And we find it very important—so much so that a number of Lewis scholars have responded to the issue in print, making my offering just one more addition to the mix. Is this a strange quirk in Narnian numerology—part of its deep magic? Or could it be a dark conspiracy to ruin the books—part of the machinations of Screwtape? Some Background C.
Whatever the deficiencies of the Narnia movies to date , at least the filmmakers did one thing right: They followed the original publication order, which is how many or most editions numbered them until about 20 years ago. I still have an old boxed edition of the Chronicles that has each volume numbered this way:. Lewis wrote:. Lewis built up the Narnian world like an artist beginning with a doodle somewhere in the middle of the page, and then elaborating the picture, first this way, then that, finally winding up at the edges with a finished picture. Specifically, Lewis began with a poetic picture that had long been in his head — essentially the picture at the end of chapter 1 of The Lion, the Witch and the Wardrobe : a faun carrying an umbrella and an armful of packages standing under a lamp post in a snowy wood. No artist begins doodling at the top left corner of the page and works his way down and across to the bottom right — and nobody first looks at a drawing that way either. Rather, we begin with some focal point and then follow the compositional flow around the picture.